Features

Specifications
Input Connectors: 1/4″ TRS, female XLR (pin 2 hot)
Input Impedance: >50kΩ balanced, >25kΩ unbalanced
Max Input: >+24dBu, Balanced or Unbalanced
Input Type: Electronically balanced/unbalanced, RF filtered
Sidechain: 1/4″ TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance: Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level: >+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors: 1/4″ TRS, female XLR (pin 2 hot)
Output Impedance: 120Ω balanced, >60Ω unbalanced
Max Output: +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response: 20Hz – 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise: <-90dBu, 22Hz to 22kHz, no weighting, unity gain
THD+Noise: Typically <0.04%; Any Amount of Compression Up to 40dB@1kHz
IMD: Typically <0.08% SMPTE @ +10dBu (15dB Gain reduction) Compressor Threshold Range: -40dBu to +20dBu Compressor Threshold Characteristic: Selectable OverEasy® or hard knee Compressor Ratio: Variable; 1:1 to Infinity:1; 60dB Maximum Compression Compressor Attack Time: Variable program-dependent; 3ms to 340ms for 15dB gain reduction Compressor Release Time: Variable program-dependent; 200dB/Sec to 3dB/Sec Expander/Gate Threshold Range: OFF to +15dBu Expander/Gate Ratio: 10:1 Expander/Gate Max Depth: >60dB
Expander/Gate Attack Time: <500µs (from Maximum Depth) Expander/Gate Release Time: Adjustable, 30ms to 3sec (to 30dB attenuation) Limiter Threshold Range: 0dBu to +20dBu CMRR: >40dB, typically >55dB at 1kHz
Interchannel Crosstalk: <-80dB, 20Hz to 20kHz Dynamic Range: >115 dB, unweighted
Stereo Coupling: True RMS Power Summing™
Power Consumption: 15 Watts Maximum
Operating Temperature: 0°C to 45°C (32°F to 113°F)
Dimensions: 1.75″ x 19″ x 6.75″ (4.45 cm x 48.2 cm x 17.15 cm)
Unit Weight: 5.05 lb (2.29 kg)
Shipping Weight: 7.20 lb (3.27 kg)
Reference: 0dBu = 0.775Vrms
Operating Voltage: 100 VAC 50/60Hz; 120VAC 60Hz; 230 VAC 50/60 Hz

UPC 691991401268

dbx 166XS Data Sheet

dbx 166XS Manual

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 215s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound.

Specifications
Input Connectors 1/4″ TRS, female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced 40 kOhm, unbalanced 20 kOhm
Max Input >+21dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors 1/4″ TRS, male XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance Balanced 100 ohm, unbalanced 50 ohm
Max Output >+21dBu balanced/unbalanced into 2 kOhm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
Bandwidth 20Hz to 20kHz, +0.5/-1dB
Frequency Response <10Hz to >50kHz, +0.5/-3dB
Dynamic Range Typically >112dB
Signal to Noise Ratio Typically >95dB
THD+Noise <0.003%
Interchannel Crosstalk <-90db, 20Hz to 20kHz
Bypass Switch Bypasses the graphic equalizer section in the signal path
Low cut Switch Activates the 50Hz 12dB/octave Bessel high-pass filter
Range Switch Selects either +/- 6dB or +/- 12dB slider boost/cut range
Operating Voltage 100VAC-240VAC 50/60Hz
Power Consumption 15W
Power Connector IEC receptacle
Unit Weight 4.8 lbs.(2.2 kg)
Shipping Weight 6.2 lbs.(2.8kg)
Dimensions 1.75″ (4.4cm) H x 6″(15.24cm) D x 19″ (48.26cm) W

dbx 215S Dual Channel 15 Band Equalizer Manual

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound.

Specifications
Input Connectors 1/4″ TRS, female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced 40k ohm, unbalanced 20k ohm
Max Input >+21dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors 1/4″ TRS, male XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance Balanced 100 ohm, unbalanced 50 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
Bandwidth 20Hz to 20kHz, +0.5/-1dB
Frequency Response <10Hz to >50kHz, +0.5/-3dB
Dynamic Range Typically >112dB
Signal to Noise Ratio Typically >95dB
THD+Noise <0.003%
Interchannel Crosstalk <-90dB, 20Hz to 20kHz
Bypass Switch Bypasses the graphic equalizer section in the signal path
Low cut Switch Activates the 50Hz 12dB/octave high-pass filter
Range Switch Selects either +/- 6dB or +/-12dB slider boost/cut range
Operating Voltage 100-240VAC 50/60Hz
Power Consumption 15W
Power Connector IEC receptacle
Unit Weight 6.2 lbs.(2.81 kg)
Shipping Weight 7.9 lbs.(3.58kg)
Dimensions 3.5″ (8.9cm) H x 6″(15.24cm) D x 19″ (48.26cm) W

dbx 231S Dual Channel 31 Band Equalizer Manual

AUTOEQ™

New, improved AutoEQ algorithm ensures an extremely accurate, fast, and non-intrusive automatic EQ experience.

With the RTA Mic “listening” to your room, the new, updated DriveRack PA2 AutoEQ algorithm sets speaker levels and room EQ automatically in a matter of seconds. This means room adjustments can now be made very quickly, without subjecting the audience to annoying, lengthy broadcasts of pink noise.

ENHANCED AFS™ FEEDBACK ELIMINATION

Enhanced AFS™ algorithm for faster, more precise feedback elimination, without adversely affecting your system’s tone.

Nothing turns audiences away like annoying and potentially painful audio feedback. Fortunately, dbx engineers have revisited their already-stellar Advanced Feedback Suppression algorithm and made it work even better. The DriveRack PA2 listens for and anticipates feedback and adjusts speaker output automatically before it even has a chance, while never altering your sound.

UPDATED WIZARD SETUP FUNCTIONS

Updated Wizards make initial set up easy, while ensuring speaker tunings and other settings are up-to-date.

Wizard functions on the DriveRack PA2 guide you through easy, step-by-step processes to help you get the most from your loudspeaker system. Helps you easily configure level balancing, AutoEQ, Advanced Feedback Suppression, and provides access to built-in and constantly updating speaker tunings from most major speaker manufacturers.

AVAILABLE INPUT PROCESSING
dbx Compression
AFS™ (Advanced Feedback Suppression)
Graphic EQ
8-Band Parametric EQ (adjusted when using the AutoEQ)
Subharmonic Synthesis

AVAILABLE OUTPUT PROCESSING
Crossover (supports full range, 2-way, and 3-way systems)
8-Band Parametric EQs (used for speaker tunings)
dbx Limiting
Driver Alignment Delays

Features
All New Setup Wizard
Streamlined AutoEQ™
All New AFS™ (Advanced Feedback Suppression)
Mobile Control (Android®, iOS®, Mac®, Windows®)
dbx Compression
Graphic EQ
8-Band Parametric EQ (adjusted when using the AutoEQ) Input
Subharmonic Synthesis
Crossover (supports full range, 2-way, and 3-way systems)
8-Band Parametric EQs (used for speaker tunings) Output
dbx Limiting
Driver Alignment Delays

TESTED WIRELESS ROUTERS:
Dlink 636L
Dlink Cloud router 2000
Cisco / linksys: WRT54G2V1
Netgear WGR614 v7
Netgear WNR 1000
(Other routers are likely compatible. This list represents those which have been tested thus far.)

Specifications
Input: (2) line inputs. (1) RTA Mic input
Input Connectors: (2) Female XLR line inputs. (1) Female XLR RTA Mic input
Input Type: Electronically balanced/RF filtered
Input Impedance: >50 kohm
A/D Converter: dbx Type IV™ Conversion System
CMRR: > 45dB
Mic Preamp Phantom Power: +15VDC (RTA)
Mic Preamp Equivalent Input Noise (EIN): < -117dB, 22Hz-22kHz, 150 ohm (RTA) Output: (6) Line Outputs Output Connectors: Male XLR Output Type: Electronically balanced, RF filtered Output Impedance: 120 Ω Max Output: +20dBu A/D Dynamic Range: 112 dB A-weighted, 110 dB unweighted Type IV Dynamic Range: 123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW Input Delay Length: 100ms Alignment Delay: 10ms per channel (60ms total) Sample Rate: 48kHz Dynamic Range: >110 dB A-weighted, >107dB unweighted
THD+Noise: 0.003% typical at +4dBu, 1kHz, 0dB input gain
Frequency Response: 20Hz – 20kHz, +/- 0.5dB
Interchannel Crosstalk: < -110 dB, -120dB typical (input-to-output: < -100 dB)
Operating Voltage: 100-120VAC 50/60 Hz – EU: 220-240 VAC 50/60 Hz
Power Consumption: 22 W
Unit Weight: 5.25 lbs. (2.4 kg)
Shipping Weight: 6.75 lbs. (3.1 kg)
Dimensions: 1.75” (H) x 5.75” (D) x 19” (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W)
D/A Dynamic Range: 112 dB A-weighted, 110dB unweighted

DriveRack PA2 Manual

Reverb enhances the tone and natural beauty of an acoustic guitar and Fender’s Acoustic Preverb provides that and more. Featuring three distinctly voiced-for-Acoustic-guitar reverb settings and a high-fidelity preamp, this pedal is the ultimate ambience machine. The Notch filter and polarity switch are designed to eliminate feedback while the Tilt knob allows you to control your overall EQ balance.

Designed by Fender’s in-house tone gurus, the Acoustic Preverb is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs show your control settings on a dark stage at a glance..

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Acoustic Preverb Pedal
Model #: 0234548000
Series: Fender® Pedals
Country Of Origin: CN
Material: Anodized Aluminum

Power Requirements: 9-Volt DC Negative AC Adaptor (Not Included) or 9-Volt Battery

Part# 0234548000

UPC 885978054800

Your one-stop shop for bass tone-shaping, the Downtown Express bass multi-effect puts everything you need for killer bass tone right at your feet. All the bass essentials are there—compressor, 3-band EQ and overdrive—each switchable on its own, or you can use the Mute switch to kill the signal for silent tuning. The Direct Output makes it easy to integrate this pedal into any performance situation—stage or studio. We recognize that a truly powerful signal chain needs to be flexible, so we included a switch that lets you reorder the compressor and overdrive circuits to taste.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Downtown Express Bass Multi-Effect Pedal
Model #: 0234538000
Series: Fender® Pedals
Country Of Origin: CN
Material: Anodized Aluminum

Power Requirements: 9-Volt DC Negative AC Adaptor

Part# 0234538000

UPC 885978909049

Reverb is an essential element in nearly any rig. Whether you’re adding dimension to your sound or drenching your signal in sparkling reflections, our Marine Layer Reverb can do it all. Multiple reverb types, including classics like Hall and Room along with modern marvels like Shimmer, make this an indispensable pedal in your signal chain. The reverb tails continue when the effect is muted, ensuring a smooth and natural decay.

Combining an octave-up pitch shift with some other tricks, Shimmer is an ethereal-sounding reverb effect that makes notes bloom and grow as they fade out.

These classic reverb sounds built the modern music pantheon-you know them, you love them and you can’t live without them.

Bypassing the Marine Layer Reverb lets the reverb tails fade out naturally, instead of cutting them off artificially.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Marine Layer Reverb
Model #: 0234532000
Series: Accessories
Country Of Origin: CN

Part# 0234532000

UPC 885978891146

There’s no denying the power of a good delay; ranging from subtle to smashing, this ambient effect is one of the cornerstones of modern music. The Mirror Image Delay brings this atmospheric effect to your rig, giving you the ability to create depth with a simple slapback or develop an epic soundscape with modulated repeats. Digital, Analog, and Tape modes—each with two voicing variations—make this expressive and inspiring pedal indispensable. It even has the option to add a dotted-eighth note for those Irish-inspired washes of sound. The delay tails continue when the pedal is bypassed, ensuring a natural sound.

You can’t cook with only one spice, so we’ve combined three classic delays-Analog, Digital and Tape-into one pedal, making it easy for you to create your own tonal recipe.

Dotted-eighth delays are one of the cornerstones of modern music. Use it to create interesting, active rhythm parts or to thicken and add excitement to lead tones.

Bypassing the Mirror Image Delay lets the delay tails fade out naturally, instead of cutting them off artificially.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Mirror Image Delay
Model #: 0234535000
Series: Accessories
Country Of Origin: CN

Part# 0234535000

UPC 885978891177

Many pedals try to emulate the sound of tube breakup; we decided instead of emulating tube distortion, we’d use actual vacuum tubes and give you the real deal in a compact pedal. The heart of the MTG’s design is a NOS (New Old Stock) US-made 6205 preamp tube. 3-Band EQ with Tight control and switchable boost—with its own Level and Boost controls—makes it easy to dial-in just the right sound.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: MTG Tube Distortion
Model #: 0234539000
Series: Fender® Pedals
Country Of Origin: CN
Material: Anodized Aluminum

Power Requirements: 9-Volt DC Negative AC Adaptor

Part# 0234539000

UPC 885978909056

A good fuzz pedal is indispensable—this gloriously splatty, satisfying sound has been the cornerstone of rock tone for decades. An all-original design, The Pelt Fuzz has a few tricks hidden up its sleeve. All the familiar controls are there: Level, Fuzz and Tone, along with a Bloom control to shape the contours of your sound. Our secret-weapon Mid switch lets you boost or cut the midrange for even more voicing options, while the Thick switch adds some girth to your sound.

The Pelt Fuzz is built around silicon transistors, giving it the classic sound from the ‘60s.

The Mid and Thick switches change the texture of The Pelt Fuzz, covering all your tonal needs—thick or thin.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Marine Layer Reverb
Model #: 0234542000
Series: Accessories
Country Of Origin: CN

Part# 0234542000

UPC 859789451462

Fiery sounding and flexible, the Pugilist Distortion is ready to add some heavyweight gain to your rig. This original design features dual gain engines—with independent tone controls for each—letting you select multiple variations of distortion, ensuring this pedal will play well with any rig. Series/Blend switch lets you stack channels for thick, cascading distortion, while the Bass Boost switch fattens up your tone. The Blend control mixes the two channels to get the best of both worlds, crafting a sound just for you.

The versatile per-channel tone controls not only let you shape your sound exactly, they also make it easy to use this pedal with any amp-even one with a Bright switch.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Pugilist Distortion Pedal
Model #: 0234534000
Series: Accessories
Country Of Origin: CN

Part# 0234534000

UPC 885978891160

It’s tough to add overdrive to acoustic guitars—not only can it sound un-musical, it can also cause tone-destroying feedback. Designed specifically for use with acoustic instruments, the all-analog Smolder® Acoustic Overdrive elegantly solves these issues with Fender know-how. To soften the bright attack of a piezo pickup we included a Pickup Compensation control that smooths out the highs. The Drive knob controls the amount of distortion, while 3-band EQ and Filter controls let you shape your sound to taste. We even included cabinet simulation to add some flavor when plugged into a full-range acoustic amp or PA.

Designed by our in-house team of experts, the Smolder® Acoustic Overdrive is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The switchable LED-backlit knobs show your control settings on a dark stage at a glance.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Smolder Acoustic Overdrive Pedal
Model #: 0234550000
Series: Fender® Pedals
Country Of Origin: CN
Material: Anodized Aluminum

Power Requirements: 9-Volt DC Negative AC Adaptor (Not Included) or 9-Volt Battery

Part# 0234550000

UPC 885978054824

There’s no mistaking the sound of genuine Fender amp Tremolo and Reverb. These lush, dynamic amp effects inspired entire genres of music. The Tre-Verb pedal places independent Tremolo and Reverb effects at your feet in a compact, easy-to-use pedal. We included classic reverb voicings based on our renowned spring reverb units from 1963 and 1965 and multiple tremolo modes to make sure you can get the exact sound you need for your music. A full suite of tone-shaping controls, including tap tempo for the tremolo effect, make this pedal sonically flexible, while the stereo inputs and outputs ensure it’s easy to connect to any pedalboard or amp.

Every Fender effects pedal is crafted from lightweight, durable anodized aluminum-they’ll easily withstand the rigors of touring.

Model Name: Tre-Verb Digital Reverb/Tremolo Pedal
Model #: 0234541000
Series: Fender® Pedals
Country Of Origin: CN
Material: Anodized Aluminum

Power Requirements: 9-Volt DC Negative AC Adaptor

Part# 0234541000

UPC 885978909070

Jim Dunlop Crybaby Multi-Wah, CB535Q

The 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this amazing wah can deliver it. Once you’ve got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note.

UPC 00710137014565

Jim Dunlop High Gain Volume Pedal, GCB80

This gold standard of volume controllers is great for pedal steel swells and instant dynamics. Quiet operation and heavy-duty construction combine with an ultra-sensitive 1 million cycle taper potentiometer for the most delicate control ever. Power: passive in-line circuit requires no additional power

UPC 00710137006157

Jim Dunlop Original Crybaby Wah, GCB95F

The heart and soul of the original wah pedals was the legendary Fasel inductor, and the Cry Baby Classic has it. Why is that important? Because the Fasel inductor was the key to the gorgeous tone, voice, and sweep of those first wahs. Plus, these inductors have been unavailable for decades. Now you can get that magic tone again. Go back in time with the Cry Baby Classic with Fasel Inside. Hear what you’ve been missing.

UPC 710137023048

Jim Dunlop Jimi Hendrix Wah, JH-B

The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few players’ names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like “Up From the Sky,” “Voodoo Child (Slight Return),” “Little Miss Lover” and “Still Raining, Still Dreaming.” The Jimi Hendrix Signature Wah reproduces these timbres, and more, with startling accuracy. Throaty and expressive, it will fire your imagination. The vintage classic look features a sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound, everything about this wah just screams Hendrix.

If MXR’s M108 10-Band EQ isn’t heavy enough for you, check out its evil twin, the Kerry King 10-Band. Designed in conjunction with the legendary Slayer guitarist, this beastly, tattoo-covered pedal sports the same great features and hard core construction as the M108, but the King can punish two amps at once thanks to its dual outputs. Use it as a boost for solos or to create thrashapproved, scooped-mid rhythm tones. Create raging sustain and feedback while getting more thunderous low-end out of your rig than you ever thought possible. The Kerry King 10-Band EQ: Use with caution. And don’t say we didn’t warn you.

UPC 00710137024168

The MXR 6-Band EQ covers all the essential guitar frequencies, with each slider ready to deliver +/-18dB of cut or boost for incredible control over your sound. This pedal is ideal for creating scooped-mid rhythm tones with massive low end. It can also add natural sounding warmth to a quacky acoustic pickup and eliminate onstage feed-back. You can also use the 6-Band EQ in the effects loop of your amp for a huge, sculptable lead boost.

UPC 710137095625

Tame your hissing high-gain amp or silence your string of stompboxes with this ingenious pedal. The Smart Gate is equipped with three selectable types of noise reduction to handle virtually any type of signal. It bites down on sizzle and hum but lets the smallest detail of your playing through. With its uncanny ability to sense precisely when—and how fast—to engage, this little genius will never get in your way, so you can wring every last bit of sustain out of that chord without being cut off. The M135 features a hardwire bypass, precise threshold trigger, and amazingly clean circuitry.

UPC 00710137021297

The MXR Clone Looper Pedal is highly engineered for incredible sound quality, comes packed with features in a pedalboard-friendly housing, and can be as simple or complex as your needs dictate. Everything you expect from an MXR pedal, in other words.

Whether you’re practicing at home, captivating audiences with improv compositions onstage, or weaving intricate sonic tapestries in the studio, the Clone Looper Pedal has you covered. Just plug in, power up, and start recording an unlimited number of layers—up to 6 minutes long—that will be stored even when the pedal is off. A super convenient LED gives you a flashing 4 count to the beginning of the loop so you can keep your overdubs tight. Loops can be stopped and started in an instant, and your most recent layer can be undone just as fast. Run effects to your heart’s content—with storage sample rates up to 88.2kHz, so this little box will handle even high-gain distortion with ease. To keep your pre-loop signal intact, the MXR team also included an analog through-path. On top of that, the Clone Looper Pedal can be set for either buffered bypass or true bypass switching to accommodate your tone and signal needs.

The Clone Looper Pedal also comes packed with options for sonic explorers, from changing up the speed of your loop—to double-speed (3 minutes of recording time) or half-speed (12 minutes)—to reversing it entirely. Connecting an MXR Tap Tempo Switch to the CTR jack allows you to control all of these functions externally. The EXP jack provides further external control options when you connect a DVP volume pedal to adjust the loop’s output level or an MXR Tap Tempo Switch to engage Play Loop Once mode, which allows you to pull off smooth live performances and re-trigger your loop over and over again for DJ-style stutter effects.

Pedalboard-friendly and built like a tank, the Clone Looper Pedal is easier to use and delivers higher fidelity signal reproduction than any other looper of its type—hands down.

Part# M303

UPC 710137111097

Six Channels of clean, quiet headphone/earphone amplification.
Individual Direct Inputs to mix separate stereo signal with Main Input signals.
1/4″ and 3.5mm Headphone/Earphone Outputs.
LED Clip indication.
Stereo/Mono operation.

Specifications
Input Impedance: 10K Ohms unbalanced
Max Input Level: 18 dBV
Input Connectors: 1/4″ TRS stereo, R & L bal. / unbal. 1/4″, RCA, R & L balanced XLR, 6: 1/4″ TRS Direct Input jacks
Output Connectors: 12: 1/4″ TRS Stereo jacks, 6: 1/8″ (3.5 mm) TRS Stereo jacks
Max Gain: 20 dB/Channel
Output Power: 972 mW/side, 1944 mW/Channel ( @ 32 Ohms )
Frequency Response: DC – 30 kHz
S/N Ratio: 90 dB
THD: <.008%
IMD: <.008%
Phase Shift (In to Out): 0 deg.
Slew Rate: 25 V per microsecond Second
Crosstalk: – 65 dB
Power: 12 VAC (Rolls Model PS12)
Size: 19″ x 1.75″ x 6.5″ (48cm x 4.5cm x 17cm)
Weight: 7 lbs (3KG)

The ROLLS REQ313 graphic equalizer is intended for room equalizing or sound shaping and the approximate frequency response curve can be seen graphically by the settings of the frequency controls. Recording and broadcasting studios, sound contractors and musicians will appreciate the low noise, straightforward design, and versatile signal control of the REQ series. The equalization filters in the REQ313 are constant bandwidth (constant Q). The bandwidth of each individual filter is narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. FEATURES: 31 Bands of constant Q equalization. XLR and 1/4 inch input and output. Low cut and High cut filters. Passive bypass. 1 Year Warranty.

SPECIFICATIONS

Equalizer Bands: 31

Frequency Response: 20Hz – 20kHz

Accuracy: 5 percent Center

Frequency Range: 6dB or 12 dB (Switch selectable)

Inputs Type: Active Balanced/Unbalanced

Connectors: XLR, 1/4” TRS

Impedance: 12k Ohms Maximum Level 22 dB (Balanced), 15dB (Unbalanced)

Outputs Type: Electronically Balanced

Connectors: XLR, 1/4 inch TRS

Impedance: 600 Ohms

Maximum Level: 22 dB (Balanced), 15dB (Unbalanced)

RFI Filters: Yes Passive

Bypass Switches: Yes

Overload LED Threshold: 3dB below clipping

Low Cut Filter: 10 – 250Hz, 12dB/Oct.

Frequency Response: 20Hz – 20kHz, 0.5dB

THD Noise: 0.01% (20Hz – 40kHz)

S/N Ratio: 110dB below Max level (A weighted) Equivalent

Input Noise: -95dB (20kHz noise bandwidth)

Dimensions: 3.5 inches H x 19 inches W x 8.5 inches D

UPC 675889031300

A parametric equalizer, unlike conventional graphic equalizers, provides for the precise control over the frequency selection, band width and levels. The RPQ160 is a powerful tool when used for room equalization, sound reinforcement, or home or studio recording applications.

FEATURES:
• Four bands of parametric equalization
• +/- 15 dB of Boost/Cut for each frequency
• RCA, 1/4″ and XLR inputs and outputs
• Adjustable high and low shelving filters
• “T” Filters, which avoid the complexity and distortion of state-variable filters