The MPD218 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

First, we stepped up our game by adding new, ultra sensitive Thick Fat MPC pads, creating an amazingly responsive user experience. The MPD218 also has an expanded control set of six knobs in three banks versus one control on the previous MPD18 model. This will enable you to maximize your sound and give you increased control over effects.

MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers. The USB connection powers the MPD218 so the included USB cable is all you need.

Along with the improved functionality we’ve added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinematic Percussion from Sonivox, Ableton Live Lite, and Software Preset Editor.

Our MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers we’ve ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.

Requirements:
Macintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended), 1 GB RAM (2 GB recommended), Mac OS X 10.4.11 (10.5 or later recommended)
PC: 1.5 GHz Pentium 4 Celeron-compatible CPU or faster (multicore CPU recommended); 1 GB RAM (2GB recommended); Windows 8, Windows 7, Windows Vista, or Windows XP; Windows-compatible sound card (ASIO driver support recommended); QuickTime recommended
Available USB port

Akai MPD218 Manual

The MPD226 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

First, we stepped up our game by adding new, ultra sensitive Thick Fat MPC pads, creating an amazingly responsive user experience. The MPD226 has an expanded control set featuring four knobs, four faders, four buttons arranged in three banks for 36 total controls versus 12 on the MPD26. This will enable you to maximize your sound and give you increased control over effects.

MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers.

Along with the improved functionality we’ve added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset. The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD226.

Our MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers we’ve ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.

Requirements:
Macintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended); 1GB RAM (2GB recommended); Mac OS X 10.4.11 (10.5 or later recommended)
PC: 1.5 GHz Pentium 4 Celeron-compatible CPU or faster (multicore CPU recommended); 1 GB RAM (2GB recommended); Windows 8, Windows 7, Windows Vista, or Windows XP; Windows-compatible sound card (ASIO driver support recommended); QuickTime recommended
Available USB port

Akai MPD226 USB Pad Controller Manual

XR20 is a portable beat production center loaded with a fresh sound library that’s designed for making hip-hop and R&B wherever and whenever inspiration strikes. Over 700 sounds cover standard and electronic drums, one-shot hits, bass, and synth sounds to easily create a total mix in next-to-no time.

XR20 includes reverb, EQ, and compression to enable MC s and producers to complete their tracks. Plug in a microphone and mix vocals with your beats. XR20 runs on wall or battery power so it’s flexible and portable. In Pattern Play mode, you can trigger different patterns from each pad, so you can tailor the beats to flow with the energy on-stage. Bright blue pads light with the beat to illuminate your performances as you light up the club.

• Over 700 sounds produced by Chronic Music
• 99 Preset patterns and 99 User patterns
• Backlit LCD
• Bright, glowing, backlit pads that follow the beat
• Microphone input and Headphone output
• Pattern Play Mode – Different patterns can be triggered from individual pads
• Drum Roll / Note Repeat feature for realism and expression
• Battery Power capability and AC Adapter

The updated version of the C1000 S multipurpose small-diaphragm condenser microphone is extremely popular for its versatility. It is suitable for recording and live-sound applications as well as for ENG/EFP and video productions. Its gold sputtered capsule housing makes the microphone extremely rugged against humidity. If no phantom power is available, the C1000 S can be powered by two standard AA batteries for up to 120 hours. More versatile than ever before, the new C1000 S features a bass-cut switch and a switchable -10 dB pad.

The polar pattern can quickly be switched from cardioid to hyper-cardioid. Three different frequency settings are adding more clarity to speech and instrument sounds.

Gold sputtered microphone capsule and XLR pins
give high immunity against humidity

Powered by internal AA batteries or by phantom power
for use with any equipment and every application

Bass cut and -10 dB switchable
for amazing versatility in every situation

Presence boost adapter
provides three frequency settings for different sound sources

Unique polar pattern converter
allows the microphone to be switched from cardioid to hyper-cardioid

TECHNICAL SPECIFICATION
Audio Frequency Bandwidth: 50 to 20000 Hz
Sensitivity: 6 mV/Pa
Equivalent Noise Level: 21 dB-A
Signal to Noise: 73 dB-A
Preattenuation Pad: 10 dB
Bass Cut Filter: 80 Hz
Electrical Impedance: 200 Ohms
Recommended Load Impedance: 2000 Ohms

UPC 885038034605

C1000s mk4 Manual

The C3000 high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect.

The redesigned C3000 presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.

Proven performance for more than 15 years
the standard for live applications and studio recording

Ultralow-noise electronics and switchable attenuation pad
enable high dynamic range and allow SPL up to 150dB

Switchable low-cut filter
eliminates proximity effect

Classic sound made affordable
gold-sputtered one-inch capsule tuned in the tradition of AKG´s sonic expertise

Heavy-duty die-cast metal housing
provides maximum protection on stage and in the studio

UPC 885038028758

AKG C3000 Manual

The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum.

In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

TECHNICAL SPECIFICATION
General
Audio Frequency bandwidth 20 to 17000 Hz
Sensitivity 1.8 mV/Pa
Electrical Impedance 210 Ohms
Recommended Load Impedance 2000 Ohms
Polar Pattern cardioid
Audio Output
Type Balanced XLR
Gender Male
Contacts 3-pin
Dimensions / Weight
Length 115 mm
Height 126 mm
Diameter 70 mm
Net Weight mic only 300 g
Polar Patterns Cardioid

UPC 885038038207

AKG D112 MKII Microphone Manual

Headphone cable (3 m/10 ft. long; mini jack plug; mini XLR plug for connection on headphones)

Replacement cable for K271 mkII, K240 mkII, na K141 mkII headphones.

The K141 MKII professional semi-open, on-ear headphones are an advanced version of the legendary K141 headphones, ideal for studio monitoring. The patented 30mm XXL transducers with Varimotion technology deliver higher sensitivity, a wide dynamic range and an incredible SPL. Optimized for single-ear use as well, they deliver familiar sound and makes intonation easy.

The K141 MKII headphones feature gimbal suspended leatherette and velvet ear cups and a self-adjusting headband for great fit and maximum comfort, even in long work sessions. A professional mini XLR connector allows quick replacement of the cable.

On-ear, semi-open design
for solid base and airy highs

Optimized for single-ear use
keeps the familiar sound and makes intonation easier

Patented Varimotion 30mm XXL transducer
for accurate signal transfer and great dynamic range

Leatherette and velvet ear pads
for maximum wearing comfort

Self-adjusting headband
for optimum fit and ease of use

TECHNICAL SPECIFICATION
Headphone type: semi-open
Audio Frequency bandwidth: 18 to 24000 Hz
Sensitivity headphones: 114 dB SPL/V
Max. Input Power: 200 mW
Rated Impedance: 55 Ohms
Detachable cable: yes
Cable Length: 3 m
Earpads Replaceable: yes
Type: Screw-on Jack Combo (1/4″ and 1/8″)
Gender: Male
Contacts: 3-pin
Interface Finish: Gold
Finish: matte black
Length: 230 mm
Width: 110 mm
Height: 220 mm
Net Weight: 225 g

The K240 MKII professional over-ear, semi-open headphones are a long-time standard in studios, in orchestras and on stages around the world. Its advanced Varimotion 30 mm XXL transducers deliver solid low end, accurate mids and crystal-clear highs. The semi-open design provides the airiness of open headphones with the powerful bass response of closed designs.

For more than three decades, professional engineers and musicians have made the K240 the most widely used headphones in studios and at live consoles around the world.

Studio-standard semi-open 55-ohm around-the-ear headphones equipped with detachable cable with locking connector and screw-on 1/4-inch adapter. Comes with leatherette and velour ear pads, 10-ft straight and 16.5-ft coiled cables.

Over-ear design
for comfort during long work sessions

Semi-open technology
for solid bass and airy highs

Patented Varimotion 30 mm XXL transducer
for accurate signal transfer and great dynamic range

Self-adjusting headband
for optimum fit

The choice of professionals around the world
stage and studio standard for more than two decades

TECHNICAL SPECIFICATION
Headphone type: semi-open
Audio Frequency bandwidth: 15 to 25000 Hz
Sensitivity headphones: 104 dB SPL/V
Max. Input Power: 200 mW
Rated Impedance: 55 Ohms
Detachable cable: yes
Cable Length: 3 m
Earpads Replaceable: yes
Type: Screw-on Jack Combo (1/4″ and 1/8″)
Gender: Male
Contacts: 3-pin
Interface Finish: Gold
Length: 110 mm
Width: 190 mm
Height: 200 mm
Net Weight: 240 g

The K271 MKIIs are professional over-ear headphones for studio and live use. They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications.

The K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. The package includes a 3m (10ft) straight and 5m (16ft) coiled cable.

High-quality closed-back 55-ohm around-the-ear studio headphones with switchable headband mute control. Equipped with detachable cable with locking mini-XLR connector and screw-on 1/4-inch adapter. Comes with leatherette and velour ear pads, 10-ft straight and 16.5-ft coiled cables.

Over-ear design:
maximum wearing comfort for long work sessions

Advanced closed technology:
for high noise insulation, best possible sound reproduction

Auto-mute feature:
mutes headphones when they are taken off

Sealed design with lowest signal bleeding:
for vocal and instrument recordings without unwanted spill

Self-adjusting headband:
for optimum fit and ease of use

TECHNICAL SPECIFICATION
Headphone type: closed
Audio Frequency bandwidth: 16 to 28000 Hz
Sensitivity headphones: 104 dB SPL/V
Max. Input Power: 200 mW
Rated Impedance: 55 Ohms
Detachable cable: yes
Cable Length: 3 m
Earpads Replaceable: yes
Type: Screw-on Jack Combo (1/4″ and 1/8″)
Gender: Male
Contacts: 3-pin
Interface Finish: Gold
Length: 110 mm
Width: 205 mm
Height: 200 mm
Net Weight: 240 g

Features

Specifications
Input Connectors: 1/4″ TRS, female XLR (pin 2 hot)
Input Impedance: >50kΩ balanced, >25kΩ unbalanced
Max Input: >+24dBu, Balanced or Unbalanced
Input Type: Electronically balanced/unbalanced, RF filtered
Sidechain: 1/4″ TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance: Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level: >+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors: 1/4″ TRS, female XLR (pin 2 hot)
Output Impedance: 120Ω balanced, >60Ω unbalanced
Max Output: +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response: 20Hz – 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise: <-90dBu, 22Hz to 22kHz, no weighting, unity gain
THD+Noise: Typically <0.04%; Any Amount of Compression Up to 40dB@1kHz
IMD: Typically <0.08% SMPTE @ +10dBu (15dB Gain reduction) Compressor Threshold Range: -40dBu to +20dBu Compressor Threshold Characteristic: Selectable OverEasy® or hard knee Compressor Ratio: Variable; 1:1 to Infinity:1; 60dB Maximum Compression Compressor Attack Time: Variable program-dependent; 3ms to 340ms for 15dB gain reduction Compressor Release Time: Variable program-dependent; 200dB/Sec to 3dB/Sec Expander/Gate Threshold Range: OFF to +15dBu Expander/Gate Ratio: 10:1 Expander/Gate Max Depth: >60dB
Expander/Gate Attack Time: <500µs (from Maximum Depth) Expander/Gate Release Time: Adjustable, 30ms to 3sec (to 30dB attenuation) Limiter Threshold Range: 0dBu to +20dBu CMRR: >40dB, typically >55dB at 1kHz
Interchannel Crosstalk: <-80dB, 20Hz to 20kHz Dynamic Range: >115 dB, unweighted
Stereo Coupling: True RMS Power Summing™
Power Consumption: 15 Watts Maximum
Operating Temperature: 0°C to 45°C (32°F to 113°F)
Dimensions: 1.75″ x 19″ x 6.75″ (4.45 cm x 48.2 cm x 17.15 cm)
Unit Weight: 5.05 lb (2.29 kg)
Shipping Weight: 7.20 lb (3.27 kg)
Reference: 0dBu = 0.775Vrms
Operating Voltage: 100 VAC 50/60Hz; 120VAC 60Hz; 230 VAC 50/60 Hz

UPC 691991401268

dbx 166XS Data Sheet

dbx 166XS Manual

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 215s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound.

Specifications
Input Connectors 1/4″ TRS, female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced 40 kOhm, unbalanced 20 kOhm
Max Input >+21dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors 1/4″ TRS, male XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance Balanced 100 ohm, unbalanced 50 ohm
Max Output >+21dBu balanced/unbalanced into 2 kOhm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
Bandwidth 20Hz to 20kHz, +0.5/-1dB
Frequency Response <10Hz to >50kHz, +0.5/-3dB
Dynamic Range Typically >112dB
Signal to Noise Ratio Typically >95dB
THD+Noise <0.003%
Interchannel Crosstalk <-90db, 20Hz to 20kHz
Bypass Switch Bypasses the graphic equalizer section in the signal path
Low cut Switch Activates the 50Hz 12dB/octave Bessel high-pass filter
Range Switch Selects either +/- 6dB or +/- 12dB slider boost/cut range
Operating Voltage 100VAC-240VAC 50/60Hz
Power Consumption 15W
Power Connector IEC receptacle
Unit Weight 4.8 lbs.(2.2 kg)
Shipping Weight 6.2 lbs.(2.8kg)
Dimensions 1.75″ (4.4cm) H x 6″(15.24cm) D x 19″ (48.26cm) W

dbx 215S Dual Channel 15 Band Equalizer Manual

When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound.

Specifications
Input Connectors 1/4″ TRS, female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced 40k ohm, unbalanced 20k ohm
Max Input >+21dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors 1/4″ TRS, male XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance Balanced 100 ohm, unbalanced 50 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)
Bandwidth 20Hz to 20kHz, +0.5/-1dB
Frequency Response <10Hz to >50kHz, +0.5/-3dB
Dynamic Range Typically >112dB
Signal to Noise Ratio Typically >95dB
THD+Noise <0.003%
Interchannel Crosstalk <-90dB, 20Hz to 20kHz
Bypass Switch Bypasses the graphic equalizer section in the signal path
Low cut Switch Activates the 50Hz 12dB/octave high-pass filter
Range Switch Selects either +/- 6dB or +/-12dB slider boost/cut range
Operating Voltage 100-240VAC 50/60Hz
Power Consumption 15W
Power Connector IEC receptacle
Unit Weight 6.2 lbs.(2.81 kg)
Shipping Weight 7.9 lbs.(3.58kg)
Dimensions 3.5″ (8.9cm) H x 6″(15.24cm) D x 19″ (48.26cm) W

dbx 231S Dual Channel 31 Band Equalizer Manual

Adjustable knob control on headphones
Utilizes 1/4 inch jack
Stretchable cable
Padded Earphones

Maximum Output Current: 15 amps
Line Cord: Captive 3/14 AWG, 10 ft. black cord with NEMA 15 plug
Pull-out Lights: Two multi-LED, dimmable lamps
BNC Socket w/Switch: Rear rack lamp, 12VAC 500MA maxx (lamp not included)
Operating Voltage: 90 to 139 VAC
Spike Protection Mode: Line to neutral, zero ground leakage
Spike Clamping Voltage: 188 VAC peak @ 3,000 Amps
Response Time: 1 nanosecond
Maximum Surge Current: 6,500 Amps
Noise Attenuation: 10 dB @ 10 kHz, 40 dB @ 100 kHz, 50 dB @ 500 kHz
Dimensions: 19” W x 10.5” D x 1.75” H
Weight: 12 lbs.
Power Consumption: 12 watts
Safety Listing: cTUVus

The next-generation JBL 305P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 305P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 305P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price.

SPECIFICATIONS
^
LF DRIVER: SIZE 203mm (5″)
HF DRIVER SIZE: 25mm (1″)
HF DRIVER TYPE: Soft dome
CROSSOVER: 1725Hz 4th order acoustic Linkwitz-Riley
OK FOR USE NEAR MAGNETICALLY SENSITIVE EQUIPMENT: Yes
INPUT SENSITIVITY: (-10dBV INPUT) 92dB / 1m
POWER CONFIGURATION: Bi-amplified
HF DRIVER POWER AMP: 41W, Class-D
LF DRIVER POWER AMP: 41W, Class-D
FREQUENCY RESPONSE: (±3dB) 49Hz – 20kHz
FREQUENCY RANGE: (-10dB) 43Hz – 24kHz
LOW FREQUENCY EXTENSION: (-10dB) 43Hz
MAXIMUM CONTINUOUS SPL: 94dB
MAXIMUM PEAK SPL: 108dB
MAXIMUM PEAK INPUT LEVEL: (-10dBV / +4dBu) +6dBV / +20.3dBu
SYSTEM DISTORTION CRITERIA: <10% THD at maximum output with full compressor / limiter engagement
ELECTRICAL DISTORTION CRITERIA: 0.2% THD @ 1kHz / 2.83VRMS output; <1% THD @ 1kHz, full rated output
SIGNAL TO NOISE RATIO: 75dBA (A-Weighted), 70dBr (unweighted), relative to 2.83VRMS output
COVERAGE HORIZONTAL x VERTICAL: 120° x 90°
ANALOG INPUT TYPES: 1 x XLR female, 1 x TRS female, balanced
HF TRIM CONTROL: -2dB, 0dB, +2dB
BOUNDARY EQ LF Shelf: @ 50Hz: -3dB, -1.5dB, 0dB
AC INPUT VOLTAGE: 100 – 240VAC (±10%), 50 / 60Hz
ENCLOSURE TYPE: Ported
ENCLOSURE CONSTRUCTION: 15mm MDF
ENCLOSURE FINISH: Matte black PVC
BAFFLE CONSTRUCTION: Injection-molded structural ABS
CABINET DIMENSIONS: (H x W x D) 298 x 185 x 231 mm (11.75″ x 7.3″ x 9.9″)
NET WEIGHT: 4.73 kg (10.43 lbs)

UPC 691991007705

( Priced As A Pair, Sold In Pairs Only )

Features:

• 150 Watts Continuous Power Handling
• Professional Drivers and Crossover Network
• Included Mounting Bracket
• Transparent and Faithful Sonic Performance
• Magnetically Shielded Transducers
• SonicGuard™ Overload Protection
• Available in Black or White Finishes

Specifications:
Frequency Range (-10 dB): 80 Hz to 20 kHz
Frequency Response (± 3 dB): I00 Hz – 18 kHz
Power Capacity: I50 W
Sensitivity: 87 dB SPL, 1 W, 1 m (3.3 ft)
Maximum SPL: 108 dB continuous, 114 dB peak
Directivity Factor (Q): 6.0
Directivity Index (DI): 7.8
Nominal Impedance: 4 ohms
Crossover Frequency: 4.2 kHz
Overload Protection: Full-range SonicGuard™ power limiting to protect network and transducers
LF Drivers: 135 mm (5.25 in) low frequency loudspeaker
HF Drivers: 19 mm (.75 in) polycarbonate dome tweeter
Input Connectors: Spring-loaded terminals
Enclosure Material: Polypropylene Structural Foam
Finish: Black (C1Pro)
Dimensions: 235 mm x 159 mm x 143 mm (9.3 in x 6.3 in x 5.6 in)
Net Weight (ea.): 1.8 kg (4 lb)
Shipping Weight (pair): 4.6 kg (10 lb)
Included Accessories: Mounting Bracket Assembly
Optional Accessories: MTC-1A ultra-duty mount bracket MTC-8 heavy-duty mounting bracket

UPS 050036903455

Control1 Pro Manual

Features:

• JBL Patented Slip Stream™ Port
  This patented JBL port design works in concert with the LSR310S low frequency driver for deep, dynamic bass response at all playback levels. The double-flared shape of the port is precisely calculated to optimize low-frequency extension.
• XLF Extended Low Frequency Setting
  A JBL first, the XLF setting activates a specially-engineered tuning that emulates the ample bass tuning used in today’s dance clubs. When producing a dance track, the XLF setting will inspire you and bring a bit of the club to your control from. For inspiration to the max, position the LSR310S in the nearest corner of your room and activate the XLF setting.
• Custom 10″ Down-Firing High Excursion Low Frequency Driver
  JBL Transducers are legendary for their performance. The custom-designed driver in the LSR310S exemplifies JBL engineering prowess, delivering deep low frequency response into the 20 Hz region, and 113 dB peak output, for long periods at full rated power with no risk of failure.
• Professional Balanced Inputs and Outputs
  with balanced XLR and 1/4″ inputs and XLR outpus you can add the LSR310S to any studio monitor system to extend its low frequency performance or use it as the “.1” LFE Channel in a surround sound system.
• Selectable Input Sensitivity
  The -10dBV/+4 dBu sensitivity switch ensures compatibility with a broad range of signal sources, allowing you to connect the LSR310S to high-output professional equipment without any danger of input overload.
• Three Crossover Settings
  The 80 Hz setting is recommended for use with the LSR305, LSR308 or any studio monitors. The External setting allows use of an outboard crossover.
• Volume Control
  Simple and effective, the LSR310S volume control has detents that make it easy to balance the LSR310S in your studio monitor system

Specifications:
Driver: 250mm (10-inch) High-Excursion, Down-Firing
Low Frequency Extension: 27 Hz
Max Peak SPL: 113 dB
Amplifier Power: 200 W CLass D
Crossover Settings: 80 Hz, XLF, External
Inputs: 2 x XLR, 2 x TRS Balanced
Outputs: 2 x XLR
Maximum Peak Input Level: +20.3 dBu
AC Voltage: 100-240 VAC +/- 10% 50/60 Hz
Dimensions: (HxWxD) 448 mm x 381 mm x 398 mm (17.65 in x 15 in x 15.65 in)
Weight: 15.6 kg / 34.3 lbs

DEEP FIREWIRE INTEGRATION
The Onyx 1640i is the flagship mixer of the series, boasting a full 16×16 FireWire interface, allowing for something that a DAW could never do alone: A true tape-style mixdown.

If you are doing a real analog mixdown, you will surely benefit from the premium features that the 1640i provides. Send all channels simultaneously to your DAW, get them recorded and apply your plug-ins. Once you have everything edited and ready, you can simply route up to 16 streams straight back into the 1640i’s channel strips. You can choose to apply some of that lovely Perkins EQ if you wish. All of these signals hit our premium, high-headroom custom summing bus. It combines the best of both the digital and analog realm to create seamless workflow that makes your sessions faster, easier and better sounding than ever possible before.

Wet or Dry? — Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not.
Studio Quality Effects—All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.
Preserve Your Mix — Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!
Mix Integration — Up to 16 sources from your computer can be routed to either the control room for instant monitoring or right back into the channel strips for mix integration.
Latency-Free Overdubs — Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.

16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O
Compatible with all major DAWs, including:
» Pro Tools®
» Logic®
» SONAR™
» Cubase®
» Ableton® Live
» Final Cut Pro®
16 Onyx boutique-quality mic preamps
4-band Perkins EQ with sweepable mids on mic/line channels
Full 16×16 FireWire channel streaming for ultimate DAW integration
Flexible FireWire routing, including aux sends, groups and pre/post EQ assignment for all channels
6 aux sends with pre/post assignment and solo
Smooth 60mm channel and master faders
Built-in DI on first two channels for direct connection of guitars, bass, etc.
Individual 48V phantom power switches on all mic inputs
4-segment metering on every channel
4-bus architecture for flexible sub-grouping of channels
Talkback section for use with internal or external mic
Rotating I/O pod for desktop or rackmount operation – rack ears included
“Planet Earth” switching power supply for worldwide use
Includes Tracktion 3™ Music Production Software for Mac or PC

Onyx 1640i Manual

The Mackie Onyx 24.4 leaves the competition in the dust when it comes to sound quality. The difference starts with premium Onyx mic preamps on every channel, which offer greater dynamic range and transparency versus any other mixer mic preamp on the market. Newly designed 4-band Perkins EQ offers the sweet, musical sound of the legendary British consoles of yesteryear, yet with greater filter control. And while the 24.4 is not the first mid-format console to offer an onboard compressor/limiter, we specified a THAT® Corporation 4301 assignable stereo compressor/limiter, and then had it custom tailored specifically for the Onyx 4-bus Series. Finally, overall mixer sound quality and headroom has also been raised, thanks to the use of premium components, completely redesigned summing bus circuitry, and an electronically balanced design throughout the entire signal chain. Add it all up, and the Onyx 24.4 gives you big, full-range sound and even lower noise than esoteric mixing consoles costing much more.

24-channel / 4-bus premium analog mixer designed for live sound
Onyx microphone preamps with class-leading fidelity and dynamic range on every channel
4-band Perkins EQ on every channel for warm, musical sound
6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc.
Built-in assignable stereo compressor/limiter designed by THAT® corporation
Giant 12-segment LED ladders for Main output and compressor/limiter
6 Aux sends with Pre/Post switches
Two dedicated stereo channels
100mm Panasonic™ faders on all channels, groups and mains
Same physical size as the popular SR24•4 mixing console

Mackie Onyx 24.4 Mixer Manual

Unmatched Sound Quality
• Extremely low-noise Mackie Vita mic preamps designed to add life to any input
• All-new ReadyFX™ effects engine with 16 great sounding effects like reverbs, delays and choruses

No-Compromise Live Mixing Toolkit
• Graphic EQ for tuning mains or monitors
• Built-in USB interface to record the show or provide music playback
• Aux output(s) perfect for driving a monitor mix, fill speakers and more
• Additional stereo channels
• Extra stereo/aux return for external effects or stereo playback devices
• High-headroom line level inputs
• Individual channel mutes and overload indication
• Channel inserts for connecting outboard processing
• EQ on all channels
• 60mm faders
• 100Hz low-cut filter and 48V phantom power on all mic channels
• Stereo RCA tape I/O with input level control
• Balanced XLR and/or balanced/unbalanced 1⁄4-inch main outputs
• FX mute with remote control via footswitch
• Break switch mutes all channels for music playback

No-Hassle USB Recording/Playback
• Built in USB recording interface with simple setup via Mac or PC
• Separate USB input level control to mains
• Great for live recording and perfect for home studios Stream playback music for live or studio applications
Includes user-friendly Tracktion® recording software

Mackie ProFX12v2 Mixer Manual

Unmatched Sound Quality
• Extremely low-noise Mackie Vita mic preamps designed to add life to any input
• All-new ReadyFX™ effects engine with 16 great sounding effects like reverbs, delays and choruses
• Single-knob channel compression for smooth, even dynamic control

No-Compromise Live Mixing Toolkit
• Graphic EQ for tuning mains or monitors
• Built-in USB interface to record the show or provide music playback
• 4 flexible subgroups for professional mix management
• Aux output(s) perfect for driving a monitor mix, fill speakers and more
• Additional stereo channels
• Extra stereo/aux return for external effects or stereo playback devices
• High-headroom line level inputs
• Individual channel mutes and overload indication
• Channel inserts for connecting outboard processing
• EQ on all channels
• 60mm faders
• 100Hz low-cut filter and 48V phantom power on all mic channels
• Stereo RCA tape I/O with input level control
• Control room / headphone outs with level control
• Balanced XLR and/or balanced/unbalanced 1⁄4-inch main outputs
• FX mute with remote control via footswitch
• Break switch mutes all channels for music playback between sets

No-Hassle USB Recording/Playback
• Built in USB recording interface with simple setup via Mac or PC
• Choose to record subgroups 1/2 or main L/R mix
• Separate USB input level control to mains
• USB routable to full-featured channel strip
Great for live recording and perfect for home studios Stream playback music for live or studio applications
Includes user-friendly Tracktion® recording software

UPC 663961045680

Mackie ProFX16v2 Mixer Manual

Unmatched Sound Quality
• Extremely low-noise Mackie Vita mic preamps designed to add life to any input
• All-new ReadyFX™ effects engine with 16 great sounding effects like reverbs, delays and choruses
• Single-knob channel compression for smooth, even dynamic control

No-Compromise Live Mixing Toolkit
• Graphic EQ for tuning mains or monitors
• Built-in USB interface to record the show or provide music playback
• 4 flexible subgroups for professional mix management
• Aux output(s) perfect for driving a monitor mix, fill speakers and more
• Additional stereo channels
• Extra stereo/aux return for external effects or stereo playback devices
• High-headroom line level inputs
• Individual channel mutes and overload indication
• Channel inserts for connecting outboard processing
• EQ on all channels
• 60mm faders
• 100Hz low-cut filter and 48V phantom power on all mic channels
• Stereo RCA tape I/O with input level control
• Control room / headphone outs with level control
• Balanced XLR and/or balanced/unbalanced 1⁄4-inch main outputs
• FX mute with remote control via footswitch
• Break switch mutes all channels for music playback between sets

No-Hassle USB Recording/Playback
• Built in USB recording interface with simple setup via Mac or PC
• Choose to record subgroups 1/2 or main L/R mix
• Separate USB input level control to mains
• USB routable to full-featured channel strip
Great for live recording and perfect for home studios Stream playback music for live or studio applications
Includes user-friendly Tracktion® recording software

UPC 663961045734

Mackie ProFX22v2 Mixer Manual